2010	Art-object design/ #2 (54) Design Education/ #1 (53)
2009	Two Colors Design/ #4 (52) Latin American Design/ #3 (51) Multipage publications. Part 2. Annual Reports, Catalogues, Booklets/ #2 (50) Multipage publications. Part 1. Magazines/ #1 (49)
2008	Type Design/ #4 (48) Club & Music Graphic issue/ #3 (47) Corporate identity issue/ #1 (45)–46(2)
2007	Club & Navigation/ #4 (44) Dutch design issue. Part 2 — the Netherlands/ #43(3) Dutch design issue. Part 1 — Amsterdam/ #42(2) Attraction of a client: Creative gifts/ #40(4)–#41(1)
2006	Book Design. Part 2/ #3 (39) Book Design. Part 1/ #2 (38) Anniversary Number/ #1 (37)
2005	British Design. Part 2/ #4 (36) British Design. Part 1/ #3 (35) Newspaper Design/ #2 (34) Iranian Design/ #1 (33)
2004	Croatian Design/ #6 (32) Golden Bee Issue/ #4–5 (30–31) Indian Issue/ #3 (29) Issue About Antiglobalism #1-2 (27-28)
2003	Academicians of Graphic Design. Part 2/ #4 (26) Academicians of Graphic Design. Part 1/ #3 (25) Total Branding/ #1-2 (23-24)
2002	Issue About Typefaces/ #4 (22) French Design/ #3 (21) The Art of Illustration/ #2 (20) Create your own studio/ #1 (19)
2001	American Design/ #4 (18) Students` Issue/ #3 (17) Swiss Design/ #2 (16) Package design/ #1 (15)
2000	Extreme issue/ #3-4 (13-14) Japanese Design/ # 1-2 (11-12)
1999	Russian robot/Russian design/ #3-4 (9-10) Multipage periodicals/ #2 (8) Angelic issue. To the Golden Bee 4/ #1 (7)
1998	Festival Issue/ #4 (6) Newspaper Design/ #2-3 (4-5) Film poster of the Russian Avant-Garde/ # 1(3)
1997	Art Beat in Moscow/ #2 (2) The very first issue/ # 1(1)

[KAK) MAGAZINE

Coming soon #3 (55) 2010 European design

#1 (37) 2006 Anniversary Number

Chip Kidd. Coverstory

Maria Kumova, Olga Kalinkina

Dust jackets done by Chip Kidd ask the reader not only to see and read the cover, but also to feel and sense it. Despite the tradition, according to which dust jackets were always considered to be a miniposter, in Chip's hands it has become a collection of various forms: from absolutely harsh and strong,to destructively soft and thin.

By combining found and borrowed objects he creates symbolic collages that crystallise the more abstract aspects of text. Kidd's covers are in every American household and not only there, because for a long time Kidd was making cover for the internationally known Random House. Now he has opened his own studio.