2010 Art-object design/ #2 (54)
Design Education/ #1 (53)
2009 Two Colors Design/ #4 (52)
Latin American Design/ #3 (51)
Multipage publications. Part 2. Annual Reports, Catalogues, Booklets/ #2 (50)
Multipage publications. Part 1. Magazines/ #1 (49)
2008 Type Design/ #4 (48)
Club & Music Graphic issue/ #3 (47)
Corporate identity issue/ #1 (45)–46(2)
2007 Club & Navigation/ #4 (44)
Dutch design issue. Part 2 — the Netherlands/ #43(3)
Dutch design issue. Part 1 — Amsterdam/ #42(2)
Attraction of a client: Creative gifts/ #40(4)–#41(1)
2006 Book Design. Part 2/ #3 (39)
Book Design. Part 1/ #2 (38)
Anniversary Number/ #1 (37)
2005 British Design. Part 2/ #4 (36)
British Design. Part 1/ #3 (35)
Newspaper Design/ #2 (34)
Iranian Design/ #1 (33)
2004 Croatian Design/ #6 (32)
Golden Bee Issue/ #4–5 (30–31)
Indian Issue/ #3 (29)
Issue About Antiglobalism #1-2 (27-28)
2003 Academicians of Graphic Design. Part 2/ #4 (26)
Academicians of Graphic Design. Part 1/ #3 (25)
Total Branding/ #1-2 (23-24)
2002 Issue About Typefaces/ #4 (22)
French Design/ #3 (21)
The Art of Illustration/ #2 (20)
Create your own studio/ #1 (19)
2001 American Design/ #4 (18)
Students` Issue/ #3 (17)
Swiss Design/ #2 (16)
Package design/ #1 (15)
2000 Extreme issue/ #3-4 (13-14)
Japanese Design/ # 1-2 (11-12)
1999 Russian robot/Russian design/ #3-4 (9-10)
Multipage periodicals/ #2 (8)
Angelic issue. To the Golden Bee 4/ #1 (7)
1998 Festival Issue/ #4 (6)
Newspaper Design/ #2-3 (4-5)
Film poster of the Russian Avant-Garde/ # 1(3)
1997 Art Beat in Moscow/ #2 (2)
The very first issue/ # 1(1)
[KAK) MAGAZINE
Coming soon #3 (55) 2010 European design
#1 (37) 2006  Anniversary Number


Holly Dickens. Sunny calligraphy

Taras PVO



I doubt that anyone in Russia could make money so easily by doing calligraphy. No such heroes! Calligraphy in the post Soviet land is for selected few, who use it to maintain emotional balance and harmony with the surrounding world. Calligraphy and moneymaking are two separate notions in our understanding. The situation is apparently different in America. Talented Holly Dickens is a bright example of that. After creative director of Needham, Harper & Steers offered Holly to complete a big lettering campaign for Sears, everyone in America knew her work. Since then, for over 20 years she has been successfully bringing letters to life for more than 50 famous ad agencies in US including Coca-Cola, Intel, Kraft Foods,Clairol, Warner Bros., Hyatt, Sprint, Nabisco, Guiness, Hallmark, Barron’s, Proctor & Gamble, Mercury, Universal Pictures, Johnson & Johnson, Visa and McDonald’s.