2010 Art-object design/ #2 (54)
Design Education/ #1 (53)
2009 Two Colors Design/ #4 (52)
Latin American Design/ #3 (51)
Multipage publications. Part 2. Annual Reports, Catalogues, Booklets/ #2 (50)
Multipage publications. Part 1. Magazines/ #1 (49)
2008 Type Design/ #4 (48)
Club & Music Graphic issue/ #3 (47)
Corporate identity issue/ #1 (45)–46(2)
2007 Club & Navigation/ #4 (44)
Dutch design issue. Part 2 — the Netherlands/ #43(3)
Dutch design issue. Part 1 — Amsterdam/ #42(2)
Attraction of a client: Creative gifts/ #40(4)–#41(1)
2006 Book Design. Part 2/ #3 (39)
Book Design. Part 1/ #2 (38)
Anniversary Number/ #1 (37)
2005 British Design. Part 2/ #4 (36)
British Design. Part 1/ #3 (35)
Newspaper Design/ #2 (34)
Iranian Design/ #1 (33)
2004 Croatian Design/ #6 (32)
Golden Bee Issue/ #4–5 (30–31)
Indian Issue/ #3 (29)
Issue About Antiglobalism #1-2 (27-28)
2003 Academicians of Graphic Design. Part 2/ #4 (26)
Academicians of Graphic Design. Part 1/ #3 (25)
Total Branding/ #1-2 (23-24)
2002 Issue About Typefaces/ #4 (22)
French Design/ #3 (21)
The Art of Illustration/ #2 (20)
Create your own studio/ #1 (19)
2001 American Design/ #4 (18)
Students` Issue/ #3 (17)
Swiss Design/ #2 (16)
Package design/ #1 (15)
2000 Extreme issue/ #3-4 (13-14)
Japanese Design/ # 1-2 (11-12)
1999 Russian robot/Russian design/ #3-4 (9-10)
Multipage periodicals/ #2 (8)
Angelic issue. To the Golden Bee 4/ #1 (7)
1998 Festival Issue/ #4 (6)
Newspaper Design/ #2-3 (4-5)
Film poster of the Russian Avant-Garde/ # 1(3)
1997 Art Beat in Moscow/ #2 (2)
The very first issue/ # 1(1)
[KAK) MAGAZINE
Coming soon #3 (55) 2010 European design
#1 (37) 2006  Anniversary Number


Jonathan Barnbrook.
Typographic peace maker

LenaTravkina



Have you ever had a chance to meet a designer whose ethic is to believe in love and respect for every living thing. Whose conceptual basis of all the work he does is Humanism, which may sound silly because he is a graphic designer that does commercial work. To whom the most important thing is that in every action in your life, including design work you do, is to not cause harm to others. Being a creative person is about telling the truth. Designers forget that they are citizens first and designers second.

Meet Jonathan Barnbrook.

His main specialisation is typography. „It always amazes me,“ he says, „how you can create great beauty with typography, I want to try and create beautiful work with letterforms. Typography also gives me a chance to express all of the amazing contradictions in language, how when people talk and say ’peace’ they mean war. When they say ’hate’ they mean ’love’. Its an area as complex as the language that it represents. Typography is the manipulation of letterforms, letter-forms express language, language is the thing we use to communicate between people. Typography therefore is a very powerful tool which we should use to it fullest extent. Unfortunately we choose not to use it for something meaningful most of the time.“

His studio developed an identity for Mori Art Museum in Tokyo; designed album covers „Heathen“ and „Reality“ for David Bowie and has also completed Damien Hirst’s major monograph „I Want to Spend the Rest of My Life, Everywhere with Everyone, One to One, Always, Forever, Now,“ and has created posters, book and invites for two of his other major exhibitions: „The Beautiful Afterlife“ in Zurich and „Theories, Methods Models, Approaches, Results and Findings“ in agosian Gallery, New York.

But Barnbrook wouldn’t be himself if he didn’t have a large part of non-commercial projects. Imperialism in America, war between corporations, dictatorship in North Korea. He worked as an art director of a major antiglobalist magazine Adbusters.