2010 Design Education/ #1 (53)
2009 Two Colors Design/ #4 (52)
Latin American Design/ #3 (51)
Multipage publications. Part 2. Annual Reports, Catalogues, Booklets/ #2 (50)
Multipage publications. Part 1. Magazines/ #1 (49)
2008 Type Design/ #4 (48)
Club & Music Graphic issue/ #3 (47)
Corporate identity issue/ #1 (45)–46(2)
2007 Club & Navigation/ #4 (44)
Dutch design issue. Part 2 — the Netherlands/ #43(3)
Dutch design issue. Part 1 — Amsterdam/ #42(2)
Attraction of a client: Creative gifts/ #40(4)–#41(1)
2006 Book Design. Part 2/ #3 (39)
Book Design. Part 1/ #2 (38)
Anniversary Number/ #1 (37)
2005 British Design. Part 2/ #4 (36)
British Design. Part 1/ #3 (35)
Newspaper Design/ #2 (34)
Iranian Design/ #1 (33)
2004 Croatian Design/ #6 (32)
Golden Bee Issue/ #4–5 (30–31)
Indian Issue/ #3 (29)
Issue About Antiglobalism #1-2 (27-28)
2003 Academicians of Graphic Design. Part 2/ #4 (26)
Academicians of Graphic Design. Part 1/ #3 (25)
Total Branding/ #1-2 (23-24)
2002 Issue About Typefaces/ #4 (22)
French Design/ #3 (21)
The Art of Illustration/ #2 (20)
Create your own studio/ #1 (19)
2001 American Design/ #4 (18)
Students` Issue/ #3 (17)
Swiss Design/ #2 (16)
Package design/ #1 (15)
2000 Extreme issue/ #3-4 (13-14)
Japanese Design/ # 1-2 (11-12)
1999 Russian robot/Russian design/ #3-4 (9-10)
Multipage periodicals/ #2 (8)
Angelic issue. To the Golden Bee 4/ #1 (7)
1998 Festival Issue/ #4 (6)
Newspaper Design/ #2-3 (4-5)
Film poster of the Russian Avant-Garde/ # 1(3)
1997 Art Beat in Moscow/ #2 (2)
The very first issue/ # 1(1)
[KAK) MAGAZINE
Coming soon #2 (53) 2010 Art object design
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#1 (37) 2006  Anniversary Number

Editor’s Letter

It is traditional to use big and meaninful words when talking about a jubilee, it's an important date. Tenth of a century, one sixth of a working life in Russia. Our magazine has turned 10 year old, thank God. In 1966, when this project was only starting, there was no commercial design in Russia. Now there's lots. Graphic design in 1996 was completely different, there was something romantic and mysterious about it, people lived and thought design. Today it has turned into a rigorous and loved profession to some, a market with it's shares and persentages, proffesional moves and price wars to others.

Life goes on, new issues of [kAk) will be published. Everything remains the same only people change a little. And I feel very content that all these years, whole 10 years, the magazine wrote and published interesting material and gave me and many others an opportuntity to meet so many wonderful people.

Everyone who works and worked for [kAk) are very different, similar ony in their pure altruism toward graphic design.

Indian design, saturated with culture of thousands was a big revelation, French —with their mementos of renaissance, colonial wars, when French world stood against Anglo-Saxons. I was very impressed with work from Iran, which feels completely different if looked trough a prism of graphic design. Total magic. Graphic design is doing miracles. We believe in it and, I hope, you will too.

Peter Bankov



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