2010 Art-object design/ #2 (54)
Design Education/ #1 (53)
2009 Two Colors Design/ #4 (52)
Latin American Design/ #3 (51)
Multipage publications. Part 2. Annual Reports, Catalogues, Booklets/ #2 (50)
Multipage publications. Part 1. Magazines/ #1 (49)
2008 Type Design/ #4 (48)
Club & Music Graphic issue/ #3 (47)
Corporate identity issue/ #1 (45)–46(2)
2007 Club & Navigation/ #4 (44)
Dutch design issue. Part 2 — the Netherlands/ #43(3)
Dutch design issue. Part 1 — Amsterdam/ #42(2)
Attraction of a client: Creative gifts/ #40(4)–#41(1)
2006 Book Design. Part 2/ #3 (39)
Book Design. Part 1/ #2 (38)
Anniversary Number/ #1 (37)
2005 British Design. Part 2/ #4 (36)
British Design. Part 1/ #3 (35)
Newspaper Design/ #2 (34)
Iranian Design/ #1 (33)
2004 Croatian Design/ #6 (32)
Golden Bee Issue/ #4–5 (30–31)
Indian Issue/ #3 (29)
Issue About Antiglobalism #1-2 (27-28)
2003 Academicians of Graphic Design. Part 2/ #4 (26)
Academicians of Graphic Design. Part 1/ #3 (25)
Total Branding/ #1-2 (23-24)
2002 Issue About Typefaces/ #4 (22)
French Design/ #3 (21)
The Art of Illustration/ #2 (20)
Create your own studio/ #1 (19)
2001 American Design/ #4 (18)
Students` Issue/ #3 (17)
Swiss Design/ #2 (16)
Package design/ #1 (15)
2000 Extreme issue/ #3-4 (13-14)
Japanese Design/ # 1-2 (11-12)
1999 Russian robot/Russian design/ #3-4 (9-10)
Multipage periodicals/ #2 (8)
Angelic issue. To the Golden Bee 4/ #1 (7)
1998 Festival Issue/ #4 (6)
Newspaper Design/ #2-3 (4-5)
Film poster of the Russian Avant-Garde/ # 1(3)
1997 Art Beat in Moscow/ #2 (2)
The very first issue/ # 1(1)
[KAK) MAGAZINE
Coming soon #3 (55) 2010 European design
#1-2 (27-28) 2004  Issue About Antiglobalism

Editor’s Letter

Any normal person would probably say: “What the hell are you talking about?” It's time to survive, make big bucks and suck up to oil pipe-lines. We don't have time. Everyone is doing their job. We are all making money, but it's not a job. It's the kind of time we live in. We are doing what we do to make the world a better place. I am the same way. You have to kiss client's ass, bend backwards, help him sell and at the same time try to make yourself look good, thinking that we are promoting domestic bourgeois with his domestic patriotic products like flying tractors, kefir and pelmeni. But that's no big deal. The problem is that I don't give a shit how many pigeons that tractor is going to run over and how many chemicals those sausages contain, I need to survive. But I am always jealous of those who are true to their antiglobalism. They are not looking for easy ways out, they are seeking aesthetic solutions. It's not a question of whether to eat a cheeseburger from McDonald's or sipping Coke, or wearing Armani. The question is personal freedom. Freedom from all the material. When you know how to be quiet, even if you want to yell. This issue is not urgent, it's for people who, in five years, might ask themselves this same question of personal and creative freedom. That's when these two hundred pages might come in hand. But for now, globalists are working and antiglobalist are interfering with their work.

Peter Bankov

My World

This issue is about the confrontation of romantic ideals and prose of life. Is there antiglobalism in Russian design? Nothing of a sort. In the certain sense we still live at the periphery of the world, although we can be included in international designers’ life on individual level. We travel, take part in international competitions, we have a possibility to read latest magazines, to see the last works of our colleagues online. But we don’t have any environment, any cultural background. So this issue is also about our nearest future.

Guest editor
Roman Frolov



Content issue