2010	Design Education/ #1 (53)
2009	Two Colors Design/ #4 (52) Latin American Design/ #3 (51) Multipage publications. Part 2. Annual Reports, Catalogues, Booklets/ #2 (50) Multipage publications. Part 1. Magazines/ #1 (49)
2008	Type Design/ #4 (48) Club & Music Graphic issue/ #3 (47) Corporate identity issue/ #1 (45)–46(2)
2007	Club & Navigation/ #4 (44) Dutch design issue. Part 2 — the Netherlands/ #43(3) Dutch design issue. Part 1 — Amsterdam/ #42(2) Attraction of a client: Creative gifts/ #40(4)–#41(1)
2006	Book Design. Part 2/ #3 (39) Book Design. Part 1/ #2 (38) Anniversary Number/ #1 (37)
2005	British Design. Part 2/ #4 (36) British Design. Part 1/ #3 (35) Newspaper Design/ #2 (34) Iranian Design/ #1 (33)
2004	Croatian Design/ #6 (32) Golden Bee Issue/ #4–5 (30–31) Indian Issue/ #3 (29) Issue About Antiglobalism #1-2 (27-28)
2003	Academicians of Graphic Design. Part 2/ #4 (26) Academicians of Graphic Design. Part 1/ #3 (25) Total Branding/ #1-2 (23-24)
2002	Issue About Typefaces/ #4 (22) French Design/ #3 (21) The Art of Illustration/ #2 (20) Create your own studio/ #1 (19)
2001	American Design/ #4 (18) Students` Issue/ #3 (17) Swiss Design/ #2 (16) Package design/ #1 (15)
2000	Extreme issue/ #3-4 (13-14) Japanese Design/ # 1-2 (11-12)
1999	Russian robot/Russian design/ #3-4 (9-10) Multipage periodicals/ #2 (8) Angelic issue. To the Golden Bee 4/ #1 (7)
1998	Festival Issue/ #4 (6) Newspaper Design/ #2-3 (4-5) Film poster of the Russian Avant-Garde/ # 1(3)
1997	Art Beat in Moscow/ #2 (2) The very first issue/ # 1(1)

[KAK) MAGAZINE

Coming soon #2 (53) 2010 Art object design

#4 (26) 2003 Academicians of Graphic Design. Part 2

Yuriy Surkov

Serge Serov

In 1990 Yuriy Surkov graduated from the Moscow Art School of the Year 1905. His creative work is connected with poster, advertising and book. In 1992 he established Suric Design studio. The member of Artists Union of Russia. The academician of the Academy of Graphic Design beginning from 1999. His works are marked by artistic erudition, attention to internal life of the word that allows to elicit unexpected visual effects from the literary base. His artistic language can be described by significant formula „minimax“, that is minimum of shape and maximum of sense. Surik is one of several artists in Russia, who is considered to be a successor of Russian constructivists.