2010	Art-object design/ #2 (54) Design Education/ #1 (53)
2009	Two Colors Design/ #4 (52) Latin American Design/ #3 (51) Multipage publications. Part 2. Annual Reports, Catalogues, Booklets/ #2 (50) Multipage publications. Part 1. Magazines/ #1 (49)
2008	Type Design/ #4 (48) Club & Music Graphic issue/ #3 (47) Corporate identity issue/ #1 (45)–46(2)
2007	Club & Navigation/ #4 (44) Dutch design issue. Part 2 — the Netherlands/ #43(3) Dutch design issue. Part 1 — Amsterdam/ #42(2) Attraction of a client: Creative gifts/ #40(4)–#41(1)
2006	Book Design. Part 2/ #3 (39) Book Design. Part 1/ #2 (38) Anniversary Number/ #1 (37)
2005	British Design. Part 2/ #4 (36) British Design. Part 1/ #3 (35) Newspaper Design/ #2 (34) Iranian Design/ #1 (33)
2004	Croatian Design/ #6 (32) Golden Bee Issue/ #4–5 (30–31) Indian Issue/ #3 (29) Issue About Antiglobalism #1-2 (27-28)
2003	Academicians of Graphic Design. Part 2/ #4 (26) Academicians of Graphic Design. Part 1/ #3 (25) Total Branding/ #1-2 (23-24)
2002	Issue About Typefaces/ #4 (22) French Design/ #3 (21) The Art of Illustration/ #2 (20) Create your own studio/ #1 (19)
2001	American Design/ #4 (18) Students` Issue/ #3 (17) Swiss Design/ #2 (16) Package design/ #1 (15)
2000	Extreme issue/ #3-4 (13-14) Japanese Design/ # 1-2 (11-12)
1999	Russian robot/Russian design/ #3-4 (9-10) Multipage periodicals/ #2 (8) Angelic issue. To the Golden Bee 4/ #1 (7)
1998	Festival Issue/ #4 (6) Newspaper Design/ #2-3 (4-5) Film poster of the Russian Avant-Garde/ # 1(3)
1997	Art Beat in Moscow/ #2 (2) The very first issue/ # 1(1)

[KAK) MAGAZINE

Coming soon #3 (55) 2010 European design

#3 (25) 2003 Academicians of Graphic Design. Part 1

Eugeniy Dobrovinskiy

Elena Rymshina

Eugeniy Dobrovinskiy graduated from the Moscow Polygraph Institute in 1974. He works in the area of type, poster, easel painting, book and periodical design. He is a creator of several artistic actions and performances. The member of the Union of Artists, the Union of Designers, the Union of Designers of Israel. The academician of the Academy of Graphic Design beginning from 1993. His creative method is „calligraphy incognita“. He explores such mysterious definitions as the „form of emptiness“, „the space and time of a stroke“, „the movement that is now“. His experiences in calligraphy turn to the theatre of design and calligraphy. When opportunity offers, he paints nude models, landscapes and still life.