2010	Art-object design/ #2 (54) Design Education/ #1 (53)
2009	Two Colors Design/ #4 (52) Latin American Design/ #3 (51) Multipage publications. Part 2. Annual Reports, Catalogues, Booklets/ #2 (50) Multipage publications. Part 1. Magazines/ #1 (49)
2008	Type Design/ #4 (48) Club & Music Graphic issue/ #3 (47) Corporate identity issue/ #1 (45)–46(2)
2007	Club & Navigation/ #4 (44) Dutch design issue. Part 2 — the Netherlands/ #43(3) Dutch design issue. Part 1 — Amsterdam/ #42(2) Attraction of a client: Creative gifts/ #40(4)–#41(1)
2006	Book Design. Part 2/ #3 (39) Book Design. Part 1/ #2 (38) Anniversary Number/ #1 (37)
2005	British Design. Part 2/ #4 (36) British Design. Part 1/ #3 (35) Newspaper Design/ #2 (34) Iranian Design/ #1 (33)
2004	Croatian Design/ #6 (32) Golden Bee Issue/ #4–5 (30–31) Indian Issue/ #3 (29) Issue About Antiglobalism #1-2 (27-28)
2003	Academicians of Graphic Design. Part 2/ #4 (26) Academicians of Graphic Design. Part 1/ #3 (25) Total Branding/ #1-2 (23-24)
2002	Issue About Typefaces/ #4 (22) French Design/ #3 (21) The Art of Illustration/ #2 (20) Create your own studio/ #1 (19)
2001	American Design/ #4 (18) Students` Issue/ #3 (17) Swiss Design/ #2 (16) Package design/ #1 (15)
2000	Extreme issue/ #3-4 (13-14) Japanese Design/ # 1-2 (11-12)
1999	Russian robot/Russian design/ #3-4 (9-10) Multipage periodicals/ #2 (8) Angelic issue. To the Golden Bee 4/ #1 (7)
1998	Festival Issue/ #4 (6) Newspaper Design/ #2-3 (4-5) Film poster of the Russian Avant-Garde/ # 1(3)
1997	Art Beat in Moscow/ #2 (2) The very first issue/ # 1(1)

[KAK) MAGAZINE

Coming soon #3 (55) 2010 European design

#3 (25) 2003 Academicians of Graphic Design. Part 1

Mikhail Anikst

Serge Serov

Mikhail Anikst graduated from the Moscow Architectural Institute in 1962. He works in book design, poster and advertising. From 1989 he lives and works in London. „My homeland is graphic design“, he says. The academician of the Academy of Graphic Design beginning from 1993. Anikst's works were always distinguished by their deep culture, conceptualistic decision, technical perfection and integrity of sight. His sense of style and flair of visual fashion trends is phenomenal. He is considered to be one of the brightest representatives of graphic design school in Russia, joining both its constituents in his creative work, graphic design proper and book design.